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In the scenes where Grenouille goes to Paris for the first time, the filmmakers subtly added more powerful colors in the sets, costumes, props and lighting to represent Grenouille's experience of the new smells.One of the main challenges of making the film was to convey the smells and the world of scents that Grenouille experiences.4c5316f046 of twilight breaking dawn part 1. The film begins with a cool, monochromatic color palette, and as Grenouille discovers more scents, the palette warms and opens up.
The filmmakers took inspiration from painters that specialized in darkness with few sources of light such as. Tykwer wanted to recreate 18th-century Paris, as seen through the eyes of the lower-class Grenouille and said that he wanted to shoot the film 'as if we were thrown into a time machine with a camera.' Tykwer describes the film as having 'a distinctly dark aesthetic', due to both the lack of adequate lighting during the film's time period and the nature of its storyline. 'We needed a filthy city to get the real feel for the smells of it', said Griebe.
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